The Pen. Is it mightier than the word?

Madhav

By MADHAV KOCHUNNI

When The Pen was born it was placed in an elegant coffin. As it came to its senses it found out that it was immobile, held in place around the waist by an ivory-coloured band in the middle of an ivory-coloured velvet-cushioned box.

At a 45 degree angle, The Pen watched the world go by through the spotless glass case; between the legs of men and women, clothed, transparent, and bare; and past the revolving doors with the calligraphic writing on the glass: ‘Penman’s Fine Writing Instruments’.

By the end of the day The Pen learned two words – Open, Closed – written on either sides of a slate board and hung on the glass window that looked out on to the bright side and the dark side. Over the course of the week, The Pen learned other words mainly from the conversations of Jane and Oscar who manned the store. Hemingway, the third person who rarely spoke, came in at the end of the day, counted the cash, and closed for the night.

The day Jane wouldn’t stop talking about the fickle weather a family of three walked in, stomped their feet, and brushed snow off their jackets. They were talking in a sing-song language The Pen had never heard before.

Lady, “It’s my husband’s birthday and we’d like to gift him a nice pen.”

Jane, “That’s really wonderful. Happy Birthday, Sir!”

Perhaps it was the rhythm in the strange language, The Pen had dozed off. It was woken up by the world shaking beneath its feet. For the first time, The Pen was brought out of the glass case and it stared back at the three pairs of eyes scrutinising it.

Jane’s glowing words about its pedigree gave The Pen’s matte finish a shiny gloss. Jane unsheathed The Pen and presented it to the spectacled man with a clean shaven head and French beard, encouraging him to write. The Man’s gentle fingers ran over The Pen, lifted and weighed it.

Write. Right!

Like learning to dance The Man and The Pen took a few scratchy steps. The shapes ‘M’, ‘a’, ‘d’, ‘h’, ‘a’, ‘v’ filled the only clean portion of the densely scrawled sheet of paper.

The Man took fresh paper and started the waltz again. He copied the lines from the framed photograph behind the counter.

‘My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane.’ – Graham Greene

“I like the feel of the pen.”

But The Pen did not feel anything. “Was that my purpose in life? To feel? Make others feel? Am I missing the connection here? Even if I discover those emotions how do I describe those feelings?”

Soon after, the lid of the coffin closed and The Pen heard the sounds of the cash register.

'egoes where I go

On the journey to its new home The Pen, now The Mad Pen and genderified to the male species, dreamt that he would be taking many a reader on journeys to the farthest corners of the universe.

In less than a year The Mad Pen learned about the letters of the alphabet, words, sentences, how to turn words and phrases with slight turns of his body, and to structure stories which in turn controlled the emotions of every human being who came in his path. The Mad Pen’s black coat began to take on a high satin finish. Black creative juices gushed out of him and filled stacks of paper; his valet had a hard time finding a place to store them.

On the day the snow piled up outside covering everything in sight, The Mad Pen stood staring at the sheet of blank paper. Nothing came to his mind. Squeeze as hard as he might, the black juices stopped flowing. He doodled a few concentric circles trying self-hypnosis to jumpstart the juices. The Mad Pen took a mindful walk along the flowery borders of the white paper trying to push away all distractions. “Something is blocking my mind.”

He shook the warm blanket that enveloped him, lay down on the sheet of paper, and rolled out. When he bumped against the still-open coffin at the edge of the table memories from his childhood came flooding back. The journeys he took to the edge of the mental and physical worlds. Creating stories upon stories that regaled audiences from eight to eighty.

The Mad Pen felt himself being lifted by The Hand and gently placed on the soft velvet which had now turned a light brown. The dust in the box choked his senses and he sneezed and coughed bringing up the black bile within him.

“That’s it! It’s just all this muck that has been lying deep inside. It’s gone. Now I am free. Put me back in contact with the paper.” The Mad Pen did not have the words to express himself.

No amount of shaking and rolling helped The Mad Pen get out of the coffin without that warm, gentle crutch. The Mad Pen tried to get the attention of his valet, but the spectacled man kept looking out the window.

“Is this the end?” He dreaded that the lid would close down on him forever. “Will I be cremated or buried? Who will write my words of eulogy? Can anyone take my place?”

He lay there looking at The Man stroking his beard deep in thought.

“What was his role in this whole story? In my story? Was he guiding me all along? Is this really the meaning of ‘The Invisible hand of God’? Didn’t I create that phrase? Weren’t those really my thoughts … my words … my stories?”

The Mad Pen dozed off. When he woke up the lid was still up. A new day had begun. The sun shining on the snow was blinding, but it looked beautiful and he could feel the crispness in the fresh air.

The Man walked in when the grandfather clock was half way through sounding nine times. The Mad Pen was lovingly lifted out of the box. The slim fingers enclosed The Mad Pen in a warm embrace and guided him. The dance between The Man, The Pen, and the words started again.

CONTENTS

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Architect Story

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Global Project

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CSR

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Customer Touchpoints

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Customer Interview

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SURGE is KONE INDIA’s customer magazine. Rights of re-production is reserved.
KONE Elevator Private Limited, 9th Floor, Prestige Centre Court, The Office Block, Vijaya Forum Mall, No 183, NSK Salai, Arcot Road, Vadapalani, Chennai – 600 026.
Website: www.kone.in | Email: kei.communicaions@kone.in
Editor-in-Chief: Ritika Chandhok | Published by: KONE Elevator India Private Limited | Editorial Office: Ideascape Communications Pvt. Ltd.

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